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I haven't found a workaround for this yet. The bad part is that Vegas seems to do a VST folder search every time it opens, which can be somewhat time-consuming. Like Acid and Sound Forge, Vegas can use VST plug-ins as well as Direct X ones. Setting your VST Effects folder now wouldn't hurt, either. There are 12 sub-pages and a host of choices within them, but you will have to choose your Audio Device before you do any sound work. The third stop is the Options and the Preferences page. Next stop is View, where you can save and organise favourite layouts, so that once you learn the program you can personalise it: at a large studio, different engineers can have their favourite setups ready to go at the touch of a mouse.
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You can also set a master Recorded Files folder for clips you don't put into their own folders, decide whether you want to work in stereo or 5.1 Master Buss modes, and set a number of stereo busses. As well as sample rate and bit depth, the latter include Resample and Stretch quality, which defaults to Good - change it to Best unless you like artifacts (this also applies to the video tab). Here you can set your Video and Audio Properties, among other settings. First stop is the Properties Page, under File in the traditional Windows drop-down menu. When you open Vegas up the first time, there are some necessary housekeeping tasks to do before you get to the fun stuff.
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This process is painless and, unlike downloading the program, easily accomplished with an old-fashioned dial-up service. Once you've paid for either version, you get a serial number and then you have 30 days to go on-line and register the program. Vegas comes in the traditional box via the mail, or you can save a little money and download it. If I know I'm starting a project with loops instead of MIDI synths, I begin in Vegas instead of Sonar or Project 5, since the stretching implementation seems a tad better to my ear and is simpler for me to work with. Vegas remains an elegant recording package for those who don't need MIDI, but it also handles loops very well, no doubt thanks to its shared origins with Sony's Acid. Upsampling to 24-bit didn't improve the sound quality of the synth tracks, but I could hear the benefits of recording acoustic tracks with the extra headroom, and though this was not the most elegant or flexible way of working, it was a natural progression from using tape and Vegas served as my digital replacement for analogue machines. Vegas was my first audio program that would record at over 16-bit or 48kHz, so even though I do mostly MIDI work, I would finish my MIDI composition in other programs and then dump those tracks as audio into Vegas. This approach yields a clean and simple interface, yet is not as limiting as one would suppose - it is not too many years ago that Pro Tools was audio-only, and that didn't hinder its acceptance. Something that should be pointed out straight away is that Vegas doesn't include MIDI. With the release of Vegas 7, it is time to take a fresh look at this audio/video multitracker and its accompanying DVD Architect burning program. Since 1999, Vegas has grown from audio-only software to include video editing and Sonic Foundry have been bought by the anything-but-boutique Sony. In fact, it was in the last millennium, when boutique-sized Sonic Foundry still owned the software. It has been a while since Sound On Sound reviewed Vegas. If your needs tend more towards looping and video editing than MIDI, Sony's distinctive multitrack recording package could be just what you're looking for.